So what are the mechanics of this “through the lens” shot to achieve the ghosting effect? 1. Stabilize the camera – using a tripod is best, a stable surface is a second option or, a steady hand as a last resort; 2. Set number of multiple exposures you require for the frame to (N) – usually 1 to 9; 3. For the roll of film in your SLR, determine the film speed (S); 4. Reset the camera film speed (Yes, you can override the setting) to (N S) or, if not an exact match, set it to the absolute closest speed ((N S) adjustment); 5. Take your picture, depressing the shutter button for a total count equalling the number of camera exposures you set in step “2”.
You must understand that this only works for 8 bit per channel images – those that can be put into layers but it could function also on 16 bit per channel pictures with Optipix plug-in that allows direct selection of dark or light edges. If you are not sure about which edge halo to use, there are general rules regarding such: 1. On light background tones, light edges don’t show up well and vice versa on dark ones. 2. The halo should lie on the background, not on the foreground. This technique helps the feature stand out without having to change its brightness values. Sometimes the following rules are in conflict. It is necessary, then, to try several combinations to decide which is best. You can try both edges, light edges only, dark edges only. You can experiment since different regions of your image may call for different answers.
Now you may want to add a Brightness/Contrast layer. This will help get rid of any extra grain or lines that are unwanted. I used a very subtle Brightness/Contrast layer, because I didnt want it to get too bright or too contrasted. So just experiment with it until you find a nice amount. Now that we have added our Brightness/Contrast, we are ready to start making it a brush. So first I want you to desaturate it. After desaturating our fractal we want to invert it. So invert your fractal. Now that we have inverted we are going to go to Image > Adjustments > Brightness/Contrast. 1. Every fractal is different and will require different settings. 2. I want you to experiment so your learning and not just copying down numbers. Now that we added the Brightness/Contrast we are almost done with making our brush! All we have to do now is hit Ctrl – A and go to Edit > Define Brush Preset. Name the brush what ever you want, and try it out!
Did you know that
A very frequent question a photoshopist asks is why does his image which was shown in
If you try to learn
Pictures are made up of many things, editing requires knowledge of all 3: 1) Contrasts adjustments (the highlights and the shadows) 2) Neutral tones balance (color cast on grey) 3) Increasing or decreasing the saturation The work flow of the photographic post production can be performed with many adjustment tools as: Brightness/contrast – Color Balance – Hue/Saturation, or Levels – Hue/Saturation, or Auto-Adjustments – Sponge. This tutorial is very brief and introduces a new method to decrease color cast on neutral tones. The picture has a really intense orange color cast. I took this picture of Christopher Columbus’ statue along the “lower pavement” in Funchal (Madeira Island). No need to be a colorimetric expert to understand that, the light effect due to the night orange lights is to much. The goal is to decrease color cast, of course, without changing the “meaning” of the picture.First of all we duplicate the background layer. Then we apply Filter>Blur>Average, that will transform the picture’s layer into a colored “stain” by the average pixels’ color. Then we have to invert (ctrl+i) the obtained color in order to see the opposite color.Now we change blending mode to Color (read also Blending modes tutorial) and decrease master opacity until we obtain our goal. And that’s all!
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